Poetry

BYRON.

Joaquin Miller

  •   In men whom men condemn as ill
  • I find so much of goodness still,
  • In men whom men pronounce divine
  • I find so much of sin and blot,
  • I do not dare to draw a line
  • Between the two, where God has not.

  • O cold and cruel Nottingham!
  • In disappointment and in tears,
  • Sad, lost, and lonely, here I am
  • To question, "Is this Nottingham,
  • Of which I dream'd for years and years?"
  • I seek in vain for name or sign
  • Of him who made this mold a shrine,
  • A Mecca to the fair and fond
  • Beyond the seas, and still beyond.

  • Where white clouds crush their drooping wings
  • Against my snow-crown'd battlements,
  • And peaks that flash like silver tents;
  • Where Sacramento's fountain springs,
  • And proud Columbia frets his shore
  • Of somber, boundless wood and wold,
  • And lifts his yellow sands of gold
  • In plaintive murmurs evermore;
  • Where snowy dimpled Tahoe smiles,
  • And where white breakers from the sea,
  • In solid phalanx knee to knee,
  • Surround the calm Pacific Isles,
  • Then run and reach unto the land
  • And spread their thin palms on the sand,
  • Is he supreme there understood:
  • The free can understand the free;
  • The brave and good the brave and good.

  • Yea, he did sin; who hath reveal'd
  • That he was more than man, or less?
  • Yet sinn'd no more; but less conceal'd
  • Than they who cloak'd their follies o'er,
  • And then cast stones in his distress—
  • He scorn'd to make the good seem more,
  • Or make the bitter sin seem less.
  • And so his very manliness
  • The seeds of persecution bore.

  • When all his songs and fervid love
  • Brought back no olive branch or dove,
  • Or love or trust from any one,
  • Proud, all unpitied and alone
  • He lived to make himself unknown,
  • Disdaining love and yielding none.
  • Like some high-lifted sea-girt stone
  • That could not stoop, but all the days,
  • With proud brow fronted to the breeze,
  • Felt seas blown from the south, and seas
  • Blown from the north, and many ways,
  • He stood a solitary light
  • In stormy seas and settled night—
  • Then fell, but stirr'd the seas as far
  • As winds and waves and waters are.

  • The meek-eyed stars are cold and white
  • And steady, fix'd for all the years;
  • The comet burns the wings of night,
  • And dazzles elements and spheres,
  • Then dies in beauty and a blaze
  • Of light, blown far through other days.

  • The poet's passion, sense of pride,
  • His boundless love, the wooing throng
  • Of sweet temptations that betide
  • The warm and wayward child of song,
  • The world knows not: I lift a hand
  • To ye who know, who understand.
  • * * * * * *
  • The ancient Abbey's breast is broad,
  • And stout her massive walls of stone;
  • But let him lie, repose alone
  • Ungather'd with the great of God,
  • In dust, by his fierce fellow man.
  • Some one, some day, loud voiced will speak
  • And say the broad breast was not broad,
  • The walls of stone were all too weak
  • To hold the proud dust, in their plan;
  • The hollow of God's great right hand
  • Receives it; let it rest with God.

  • In sad but beautiful decay
  • Gray Hucknall kneels into the dust,
  • And, cherishing her sacred trust,
  • Does blend her clay with lordly clay.

  • No sign or cryptic stone or cross
  • Unto the passing world has said,
  • "He died, and we deplore his loss."
  • No sound of sandall'd pilgrims tread
  • Disturbs the pilgrim's peaceful rest,
  • Or frets the proud, impatient breast.
  • The bat flits through the broken pane,
  • The black swift swallow gathers moss,
  • And builds in peace above his head,
  • Then goes, then comes, and builds again.

  • And it is well; not otherwise
  • Would he, the grand sad singer, will.
  • The serene peace of paradise
  • He sought—'tis—his the storm is still.
  • Secure in his eternal fame,
  • And blended pity and respect,
  • He does not feel the cold neglect,
  • And England does not fear the shame.